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à un rythme irrégulier mais constant
À quel moment le photographe s’y est-il perdu
Laurids Ortner and Manfred Ortner
preserved the Backhausen Archives for posterity
des théoriciens et des musiciens
And they laughed at me mutilation génitale à un rythme irrégulier maisIn And They Laughed at Me, Newsha Tavakolian delves into her archives, not to highlight her best work, but to uncover images never intended for public viewing. The technically flawed photos from her youth reveal typical mistakes of an inexperienced photojournalist. These early works, taken between 1996 and 1999, provide a philosophical insight into her evolution. They document significant moments and personal snapshots, weaving a rich tapestry of